畢業展｜城大 SCM Annual 2026—— 從影像、互動裝置到遊戲設計：在《嗍》中看見48位新銳藝術家的純粹本心

作者: Ski

2026-07-02 10:27:55

畢業展｜城大 SCM Annual 2026—— 從影像、互動裝置到遊戲設計：在《嗍》中看見48位新銳藝術家的純粹本心

2026 年度香港城市大學創意媒體學院年度展（SCM Annual 2026）將於 7 月 8 日，邵逸夫創意媒體中心地下多媒體劇院盛大揭幕。本屆展覽以《嗍》為題，匯聚 48 位參展藝術家，精心呈獻 57 件跨媒介作品。展覽形式多元，跨足動畫及電影、互動裝置、視覺藝術、攝影與遊戲設計等領域，以此淬鍊創作者的純粹本心。

《嗍》

一呼一吸，創作如呼吸。

當世界太過喧囂，我們選擇用力吸氣，排空周遭雜質，重塑創作者最純粹的本真。

本年度展覽以「抽空」為概念，我們試圖凝結流動的當刻，抵抗距離與視覺上的失焦；在近乎真空的狀態下，抽離外界的扭曲、擠壓與干擾，將自我認知轉化為一場集體的真空存檔。

媒體本是時間的載體，在記憶的曖昧、模糊與混沌中，同學透過多維度的影像與空間，反芻出創作裡尚未被定義的可能。我們在不熟悉之中重構過去，在被框架的現實裡拓展想像。

一嗍一刻，將萬物抽空，唯獨留下創作的呼吸。

SCM Annual 2026 宣傳圖

展覽焦點

《祝君安好》Wishing you all the best

A grieving cat uses a "Open Eyes Sticker" to summon its deceased owners spirit. They chase each other through a surreal, endlessly warping home, saying their last goodbyes. This is a surreal fable about obsession, farewell, and the courage to let go.

By CHUNG Ching Yee

Chung Ching Yee 《Wishing You All The Best》

《念》Dreams Are My Reality

“Dreams Are My Reality” is a Hong Kong–style action comedy film. It tells the story of a hitman seeking revenge. In this work, in addition to serving as the director, screenwriter, and lead actor, I’m also acted as the action director—designing all of the film’saction sequences—and collaborated with a new generation of young people who are interested in action films to complete the project together.

By TANG Chi Wang

Tang Chi Wang 《Dreams Are My Reality》

《家寶》Gifting

Gifting is an interdisciplinary documentary-theatre project comprising three sequential short films that explore intergenerational narratives through the artist perspective of a granddaughter-artist and her four elders (average age 86).

By TANG Sin Chee Toby

Tang Sin Chee 《Gifting》

《 Slimen 》

"Slimen" is a 2.5D side-scrolling action-adventure game developed using Unreal Engine 5 (UE5), its title a clever fusion of 'Slime' and 'Man' (or Men).

The project explores the integration of traditional 2D pixel art within a modern 3D lighting environment, aiming to create an impressive "HD-2D" visual experience.

The narrative follows a hero(brave) who, after being cursed and transformed into a humble slime, must embark on a journey from scratch to defeat the Demon Lord.

Throughout the game's three distinct levels, players navigate challenging terrains, encounter a diverse cast of enemies ranging from Goblins to specialized Hornets, and confront formidable bosses.

By TSOI Ming Hin, KWOK Ka Hung

Tsoi Ming Hin, Kwok Ka Hung 《Slimen》

《 teeth 》

This work explores the fragile boundary between comfort and underlying anxiety. By rendering a pillow in rigid plaster and concealing seven steel teeth beneath it, the sanctuary of sleep is frozen into something cold and sharp. This stark contrast between brittle plaster and industrial metal serves as a physical manifestation of quiet grit and the heavy thoughts sitting just beneath the surface of our assumed safety.

By LEE Lok Yiu

Lee Lok Yiu 《teeth》

《不可言傳》Yet, the Unnameable Matters.

When you gaze into the abyss, the abyss gazes also into you.

There is nothing new under the sun."

I leave a lamp lit, forever waiting and illuminating for the soul,

the one eternally searching for a way out.

By YUNG Alice Newings

Alice Yung Newings 《Yet, the Unnameable Matters》

《 Noise Contemplation 》

We live with noise. Hong Kong's constant urban renewal projects have made construction noise a part of daily life. Machine noises dominate the city's soundscape, turning noise pollution a concern. However, hidden within the loud clatter of these construction sites, we discover that nature lives with construction noise. Immersing in the construction soundscape, how should we listen to the inevitable sounds of city growth? The gradual filtering has redefined the meaning of noise.

The urban landscape is changing while we remain the same, as steady as our bodies' vibrations. You are invited to place the stethoscope microphone on your neck/chest, allowing the body to resonate with the noise.

By PANG Hei Yee

Pang Hei Yee 《Noise Contemplation》

《 time square 》

An abstract exploration of urban geography. By recontextualizing the iconic mosaic tiles of the city’s MTR stations and streetscapes, the animation transforms static urban scenes into a vibrant, moving rhythm.

You can see the organic variations, the micro-cracks, and the shifts in glaze, and the grit in the grouting lines, all are imperfect textures of the city, but unnoticed.

By WONG Ka Yiu

WONG Ka Yiu 《 time square 》

《我把甲蟲裝進了槍 I Put A Ladybug into A Gun 》

I Put A Ladybug into A Gun.

Youth is madness and rebellion, absurd out of boredom.

Three girls. One ladybug. One gun.
That red is their youth — brilliant, fragile, and trapped in that one summer.

By WU Tsz Ying Ice

WU Tsz Ying Ice 《我把甲蟲裝進了槍 I Put A Ladybug into A Gun 》

參展者名單

日期 : 2026年7月9日至7月26日
時間 : 11:00 - 19:00
地點：邵逸夫創意媒體中心3樓M3301及M3351、4樓4004室及6樓

**須於到訪日的2個工作天前網上預約登記 : https://forms.gle/Gvd61ubxfKEKtLkQ7
**星期六及日不設登記服務，請提前預約。

動畫及電影試映

動畫及電影作品作品將於7月13日起的展覽期間於6樓M6050室循環重播。

日期 : 2026年7月11日至12日
時間 : 13:00 - 19:30
地點：邵逸夫創意媒體中心6樓未來電影工作室 Future Cinema Studio (M6094)

**憑柬入場。放映完畢後將有一節20分鐘至半小時的討論會，會以廣東話、英語及/或普通話進行。
**須於到訪日的2個工作天前網上預約登記 : https://forms.gle/Gvd61ubxfKEKtLkQ7